The Boy Who Couldn’t Command… Until He Tweeted

This excerpt from The Missing Corpse traces how a dictator’s son, too dull for command, became lethal online.

The General knew—like a rotting tooth you can’t stop tonguing—just how hard his old man had worked to hammer him into something resembling a real man, using boot camps, backdoor deals, and enough disappointment to fill a graveyard. Before the president found Twitter—sorry, X—for him, he mostly just found disappointment. And not the subtle, quiet kind. No, this was loud, public, teeth-grinding failure. The kind that makes a father grip his whiskey glass hard enough to shatter it. The boy was dull. A wet match in a thunderstorm. The people ignored him like a pothole they’d grown used to swerving around.

The president, who fancied himself a blend of warlord and wise grandfather, had done all the right things—by dictator standards. He’d oiled the machinery, laid the bricks. He'd shipped the lad off to Sandhurst, the British womb for future coup-makers and ceremonial dictators. But the academy spat him out like a bad oyster after just one year. Reason? "Intellectual capacity insufficient for command responsibilities." That's British for “the boy was dumb as soup.”

Panic set in. The president, no stranger to coups or cover-ups, scrambled for another boot camp that would accept his undercooked progeny. And God bless Africa—it never disappoints. Egypt, under old mummy Hosni Mubarak, opened its arms. The president’s warning was clear as day and sharp as a bayonet: “If you fail here, don’t ever mention my name again.” The boy emerged months later with a piece of paper that said he could command a battalion. No one bothered to ask if it was his own handwriting.

Still not satisfied, Daddy rang his buddies in Langley. Mr. Taylor—CIA spook with a neck like a tree stump—hooked him up with a slot at Fort Leavenworth, Kansas. That’s where the U.S. trained its foreign military friends—the ones that smiled for cameras by day and broke skulls by night. The General graduated. Barely. His grades so low they had to be excavated.

Back home, the president, desperate to turn the boy into something—anything—decided to mold him into a public figure. He hired speech coaches, media whisperers, ex-BBC anchors, even a former Miss Uganda who once read the weather on WBS Television. Still, every time the General opened his mouth in public, it was a horror show. His hands trembled like a leaf in a blender. He couldn’t pronounce words. Once, he called “sovereignty” soup-ver-nanny and the room went so silent you could hear careers dying.

But then came the miracle: Twitter. Well, X. Rebranded like a shady funeral home. The president's advisors—witchdoctors in suits—pitched a bold idea: give the boy a Twitter account. Hire a comedian ghostwriter. Make him sound dangerous. Sexy. Unhinged. Like Idi Amin with a smartphone.

Enter the ghostwriter—a washed-up tabloid journalist who once faked an alien sighting in Karamoja and got sued by a Catholic bishop. The guy was perfect. He knew how to stir the pot with one tweet and have the country boiling by lunch.

The General gave him ideas—half-mumbled thoughts between sips of imported whiskey—and the ghostwriter turned them into gold. Tweets like: Kenya has two weeks left. Consider this your final warning. #WeMarchAtDawn

The country gasped. The president “fired” the General. He even sent an apology to Kenya. A public scandal. Oh no, Daddy can’t control his baby boy! The media gobbled it up like pigs at a buffet.

But behind the curtain, the ghostwriter kept churning out wild, headline-drenched tweets. The General was now lusting after Beyoncé and Ayra Starr like a horny war god in fatigues. He made bizarre threats about airstrikes on Tanzanian Bongo Flava concerts. People were horrified. People were entertained.

“A sharp, fast-paced political thriller.” — Kirkus Reviews

This excerpt, like the novel The Missing Corpse, is a work of fiction created from the author’s imagination. All characters, events, and institutions are fictional, and any resemblance to real persons—living or dead—or to actual events is purely coincidental.